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Hybrid of scenography and installation, the exhibition Contaminations provides an approach to three fundamental books of contemporary Brazilian literature: Zero by Ignácio de Loyala Brandão, The concert by João Gilberto in Rio de Janeiro by Sérgio Santanna and There Were Many Horses by Luiz Ruffato, along with works from other visual artists, such as Franklin Cassaro, Roberto Evangelista and Eder Santos, each in some way related to a specific book.